The Girton Poetry Group

Not Averse

Concordance

This concordance provides an index to every word in the poems, excluding a list of common "stopwords".  It may be useful in finding a half-remembered poem, and perhaps in looking at the usage of words in the poems as a whole.  It will be readable only on a large screen.

Q

et-affordable boots // // Do sometimes
quake .  // // Her high school sits right above // // A pair of hormon
or an air- // // Conditioned corpse.  A
quality of care // // That might have saved you all those years ago.
y.  // // What we say is true, // // «
Quand la sage montre la Lune, l’imbécile regarde son doigt.  » // //
As the day went on, // // we generated
quantities of fuel // // and built a roaring blaze.  Then late into t
Cretan
Quartet —a blame game // // MINOTAUR // // I blame my mother, Zeus bl
en the music, // // a Beethoven string
quartet .  // // Afterwards Colin and I go down to the basement // //
ry vanité! // // vanité! tous n’est ce
que vanité!  // // But, creeping further in, she finds a tree // // a
Who could cast a bronze bull to let his
Queen pull, // // And commit all her sins of emission.  // // The seq
// // No woman ruled by orbing tyrant
queen ; // // Umbilical tangen skywards, cut clean.  // // I am the mo
socks    a silent great-aunt   and the
queen’s speech, naturally // // drink to Christmas! and be merry!  //
ess // // And the light beyond, // //
Quenched any wistfulness // // For light, for love, for greater // /
r the fire in your belly // // Will be
quenched before your passing bell is rung.  // // But now I need the p
, from a peak dangling, // // A curled
query around a new gaze, // // Your palm pressed flat to my sole, //
r // // And knocked up his mum.  // //
Question his fitness as // // Paterfamilias; // // Son-wise, he’s pr
Exam // // This
question was generally quite poorly attempted, with many candidates no
manage to solve the early parts of the
question were generally quite successful with the rest of the question
like these       did they ever ask the
question // // What we cooking for tea?      We could have Prometheus
y quite successful with the rest of the
question which was generally very well answered.  // //
// // Asking meaningless, roundabout,
questions for the sake of making // // Noise.  Repetitive exchanges of
crow’s // // feet in a mirror, so many
questions // // interrogate me slap me try that just // // one more
ns their inquisitive gaze // // On me. 
Questions launched from all directions // // As my hands grasp blindl
I am not in my perfect mind.  // // The
questions posed are so unkind:  // // Parse—calculate—discuss …  I see
e // // About having one of its stupid
questions to break the ice, // // ‘Doesn’t the idea of the world endi
on but feta or parmesan now THAT is the
question ’ // // Would our souls not be repulsed by the inadequacy of
hucked in the towel and had to join the
queue // // in servile severance.  // // One afterthought // // of c
nches and bloom // // May your sap run
quick and your bark hold strong— // // May your spores spread wide, y
in a spot // // of thrilling, but too
quick , arson— // // under the brown fog of a winter noon // // Tires
her gas, // // runs down the hallway,
quick as one // // intent on small house agents’ clerks // // and bu
ght // // Into gaping personages then,
quick // // As they dance into shape, do vacate back // // To blackn
y reproduction is draining.) // // The
quick , brown fox sticks his hot sharp stink in ones and zeroes.  // //
stag, // // its only hope to lead the
quick spear into the subtle mist.  // // You strike flint to raise a g
ing lights that show // // Where their
quick -stirring forms are flickering.  // // We watch and hold each oth
?  // // What // // Was that?  // // A
quicker // // Flicker.  // // Did I just close on // // My boson?  /
he window, impassive // // Blood dries
quicker than paint // // But all the wide obliging sea // // Nor his
away this red refuse.  // // Blood dies
quicker than paint // // Shouts the gunshot on the lake // // But th
inst the cool glass, // // But blotted
quickly by a tunnel’s vulgar arrival.  // // Those old eyes are aching
edy // // Christopher Isherwood // //
Quickly ditched Corpus // // With Berlin in mind.  // // Wrote of his
quite done; // // Discard and shuffle
quickly if you’re clever // // And find a new hapless victim to con.”
dd things have strewn the floors today: 
quicksand clumps, capsized melon cubes, stranded sea monkeys // // Ma
, golden delighted kept at bay from the
quiet and rustling examination halls.  // // This is my revision, it h
did the talking // // and we all went
quiet // // but he wasn’t quiet // // ‘it’s ail road rail road!’  //
the animals     to the surprise of the
quiet couples and the wistful young mothers     to the surprise of the
/ // Columbus was the end.  He left the
quiet dawns behind, left too // // a strange new religion, new gold m
gna’s drawing-master.  // // He lives a
quiet , four-cornered life, // // Polite, determined, and remote— //
Unpacked her bags, // // and hung her
quiet fripperies // // between the places where I laid my head.  // /
ong” I said, // // cutting through the
quiet .  // // I watched you, crossing // // your arms.  At the Railroa
we all went quiet // // but he wasn’t
quiet // // ‘it’s ail road rail road!’ // // he kept on talking //
you said // // and I could hear in the
quiet // // my heart, once yours, had stopped.  // //
l force.  We did appreciate // // Your
quiet support, as well as generous supplies // // From BAE.  Do please
stopped // // and stayed stuck in the
quiet , // // the end of the road, // // not the one we were crossing
// Everything turned strangely, oddly
quiet // // The wind that blusters is strangely keen.  // // A dance,
is long gone // // and we’re lighter,
quieter .  Let us rescue you from the daily grind.  // // We concentrate
ff, I wonder, does it truly subside and
quietly die in a corner like the living things?  // // With dreams you
le myself to the peddles and roll along
quietly // // Only to return to gobbets of          that holds no    
e.  // // And when the heart is full of
quietness // // Begin the song exactly where you are.  // //
road crossing // // the driver yelled ‘
quiet ’ // // we kept on talking // // I noticed the sign said // //
nuts of coke, // // apportion rationed
quires and dilute ink.  // // The snow has reached the window ledge.  /
laces in, // // Because you can’t wear
quirky May Ball maroon-laced shoes // // To bury your mother.  // //
// Keep your cards in hand after you’re
quite done; // // Discard and shuffle quickly if you’re clever // //
e of management, // // and all the not-
quite -never-yet notes // // will be burnt to the sound of a piped lam
Exam // // This question was generally
quite poorly attempted, with many candidates not able to understand fu
goes out altogether // // and I can’t
quite remember the first way I saw it; // // lost    like all beauty.
short of a neat bull’s-eye.  // // Not
quite seeing the wood for the balsa, // // knowing the great hereafte
ly parts of the question were generally
quite successful with the rest of the question which was generally ver
ireworks when they start.  // // No, we
quite understand.  We know you can’t stay long // // And must stay sil
// // Just that his name // // Scans
quite well on the page).  // // Higgledy Piggledy // // Jesus of Naza
Crumbling and stuffed with other folk’s
quotations ..  // //
ment and fossilise it. // // forgotten
quotations unpeel from the wall // // glide down.  // //